![]() |
![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() |
|||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
![]() |
![]() ![]() ![]() ![]() ![]() ![]() ![]() |
|||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
![]() |
![]() |
![]() |
![]() |
|||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Naropa University Oakland
|
Jul. 15 |
Registration opens for returning students. Registration opens for new students on Aug 2nd . |
Aug. 24 |
Last day of registration and final day for students to pay tuition and fees |
Aug.24-29 |
Classes begin: Fall Intensive (required) |
Aug. 31 - Sept. 2
|
First Indigenous Mind Residency (Oakland) |
Sept. 7 - 10 |
Weekly classes begin (See General Course Schedule for info on all weekly classes) |
Sept. 10 |
Last day to add or drop classes without financial or academic penalty |
Sept. 10 |
Last day to submit Application to Graduate Form for December 2004, Fall Semester |
Sept. 11 - 12 |
First Weekend Course (See General Course Schedule for info on all weekend classes |
Sept. 24 |
Due date for Master's Thesis Proposal form (if graduating this semester) |
Oct. 1 |
Deadline to apply for preferred financial aid for Spring 2005 (only if Fall 2004 aid was not applied for) |
Oct. 8 |
Last day to withdraw from classes |
Oct. 21 - 24 |
Elective Fall Intensive |
Oct. 25 - 29 |
Study Week (no classes) |
Nov. 4 - 8
|
Second Indigenous Mind Residency (Maui) |
Nov. 11 - 14
|
Elective Fall Intensive |
Nov. 22 - 26 |
Thanksgiving Break (no classes) |
Dec. 5 |
Orchard Day Community Celebration |
Dec. 10 |
Last day of classes |
Dec. 13
|
Due date for Master's Thesis/Project or Integrative Paper (if graduating this semester) |
Dec. 17
|
Grades Due from instructors |
Jan.10 |
Registration opens for returning students. Registration opens for new students on Jan. 18th |
Jan. 17 |
Reverend Martin Luther King, Jr., Community Event |
Jan. 25 |
Last day of registration and final day for students to pay tuition and fees |
Feb. 2 - 6
|
Classes Begin: Spring Intensive (required) |
Feb. 8 - 10 |
Indigenous Mind Residency - (Oakland) |
Feb. 14 |
Due date for Master's Thesis proposal form (if graduating this semester) |
Feb. 15 - 17 |
Weekly classes begin |
Feb. 18 |
Last day to add or drop classes without financial or academic penalty |
Feb. 18 |
Last day to submit Application to Graduate Form for May 2005, Spring Semester |
Feb. 19 - 20 |
First Weekend Course |
Mar. 1 |
Deadline to apply for preferred financial aid for Fall 2005 |
Mar. 3 - 6 |
Elective Intensive |
Mar. 18
|
Last day to withdraw from classes |
Mar. 21 - 25 |
Study Week (no classes) |
Mar. 22-26 |
Indigenous Mind Residency for senior students (Maui) |
Apr. 7 - 10
|
Elective Intensive |
Apr. 14 - 18
|
Indigenous Mind Residency for returning students (Maui) |
May 13 |
Due date for Master's Thesis/Project or Integrative Paper (if graduating this semester) |
May 15 |
Last day of classes |
May 15 |
Orchard Day Community Celebration |
May 20
|
Grades Due from instructors |
May 21
|
Graduation (Tentative) |
NOTE: The Academic Calendar is subject to change.
An immersion into cosmology and the creation spiritual tradition. Exploring the vibrant scientific and spiritual context from which to view the remarkable unfolding of the universe, the course will start with the flaring forth of the fireball and will extend to the principles of creation spirituality, sustainability in the Ecozoic era, the seven chakras and deep ecumenism. Includes art-as-meditation each afternoon.
CSP 603 -- Core Readings in Creation Spirituality (1) SyllabusThis course covers the basic literature and themes of creation spirituality and cosmology. Basic texts include those of Matthew Fox, Thomas Berry and Brian Swimme. An exploration of the Four Paths of Creation Spirituality and the cosmological story enables a deeper understanding of the mystical and prophetic dimensions of spirituality.
CSP 608 -- Masters Project/Thesis (3)The masters project/thesis integrates the students educational experience and contributes to fashioning a more ecologically sensitive and spiritually grounded society. The project can take one of three forms: 1) a research thesis; 2) a creative and/or experiential project; 3) an integrative paper. It can also be a combination of two or three forms. A creative project must also contain substantial documentation for binding and library reference.
CSP 615 -- Creation Mystics: Jewish Mystical Poetry and Prayer (1) SyllabusWe will study some of the major mystics representative of the creation tradition. The class will explore what these spiritual figures have to say to us today even though they come from different cultures and historical periods.
CSP 618w -- The Mysticism of Meister Eckhart (2) SyllabusMeister Eckhart created a rich and prophetic mysticism that is very appropriate for our postmodern times. Students will read his texts and discuss his strong beliefs on justice making and reaching out to the common person. Students will see how his mysticism can be put into practice in todays spiritual journey.
CSP 628 -- The Search for Common Ground: Howard Thurman (1) SyllabusAn examination of the ideal of community as expressed through the life and thought of Dr. Howard Thurman. Insights from religious traditions and the Black American sojourn will be utilized to explore the destructive nature of exclusion and the creative possibilities for common ground.
CSP 632B -- Deep Ecumenism: Spiritual Traditions of the World (1) SyllabusAn exploration of the basic teachings and practices of the spiritual traditions of Christianity, Judaism, Islam, Hinduism, Buddhism, Taoism and indigenous religions. The course will emphasize the engaged spirituality within each tradition and how this may be applied to contemporary issues and problems, such as overcoming negative behavior patterns, addictions, stress, etc. The result for the participant could be an awakening to compassionate service.
CSP 639 -- Feminist Awakening & Womens Spirituality (2) SyllabusThis seminar examines the role of women from the perspective of psychology, spirituality, and the arts. It is a study of feminism that offers perspectives on the power of the feminine and the empowerment of women. This course is designed to raise women's consciousness and to engage women in a process of exploring the sacred dimensions of their own stories, their experience of the Divine and of themselves as divine.
CSP 677 -- Digital Documentary Filmmaking (2) Spiritual Cinema Course SyllabusAn overview course designed to give students the foundational concepts and techniques involved in digital non-fiction filmmaking as it relates to the creating of sacred cinema and to the creation spirituality tradition. Topics explored will include fundamentals of story, the pre-production process, basics of cinematography, fundamentals of lighting, the use and creation of non-intrusive scripting and music and the foundational elements of editing.
CSP 692 -- Creation Spirituality & Spiritual Direction Intensive/Retreat (2) Syllabus
At the heart of the contemporary movement of creation-centered spirituality is a necessary radical reorientation of some basic assumptions and practices: away from an individualistic or fall-redemption worldview, and towards a more communitarian approach with blessing and liberation as a focus. The traditional practice of spiritual direction, or spiritual companioning, is an important element in this movement.
This intensive, in a retreat format, engages participants in a practicum of spiritual companioning from the perspective of creation spirituality. It is designed to assist participants in reviewing, and reframing when necessary, personal assumptions about prayer, relationships, intimacy and related themes.
CSP 693 -- Clay As Meditation (1) Syllabus
This course will explore the relationship between body and spirit using movement, meditation, and clay. As spiritual practice these modalities call forth the intuitive, subtle body's voice through the imaginal language of the soul. In a gentle space of compassion and nurturance, we will share our soul's journey -- both the light and shadow -- bringing Spirit into form through the body's gestures in clay. Through this deep involvement in our own and earth matter we will discover the erotic life force energy that fuels all creativity, and unites us as one being.
CSP 699 -- Independent StudyWith permission, a student may undertake a supervised study of a particular aspect of Creation-Centered Spirituality, cosmology, the mystics or other related topics that cannot be researched in any other fashion.
CSP 703 -- Creating The Cosmic Mass and Rituals (1) SyllabusIn this course students will apprentice with visual-makers, DJs, techno-ritual artists and community-builders who are creating techno-cosmic masses in the Howard Thurman Ritual Center. Class work will include contributing to these events and learning how to take these skills to other communities.
CSP 704 -- Sustainable Communities (1) SyllabusThis class will provide participants with a brief overview of sustain-ability and higher connections between ecological, ethical, social, spiritual and economic issues and our current ways of living. Students will also be introduced to a range of exciting models and emerging sustainability projects that are helping to reclaim our culture, protect living systems and rebuild communities.
CSP 729 -- Living Wisdom Interviews (1) Spiritual Cinema Course SyllabusAn intensive journey into the craft and art of the video interview process as a vehicle for exploring the lives of people in the Oakland community with depth and insight. Class sessions will alternate between experiential learning of interview techniques and reviewing student assignments.
CSP 742 -- Dreams and Archetypes of Authentic Gender (1) SyllabusThe hidden dimensions of complex and difficult problems are often addressed in creative and productive ways in our dreams. This inner knowledge makes possible an understanding of the relationship between using dreams for personal growth and for resolving our many social problems.
CSP 744 -- Painting as Creative Meditation (1) SyllabusThe course is designed to free up the creative potential within every student. It introduces the philosophy and process of creative meditation to develop technical skills essential to the art of painting, and to impart a method of meditation and ritual that are integral to self-statement.
CSP 745 --Dancing Sacred Texts (1) SyllabusThe sacred texts needed for our times will be given a stage so that the body can process and make the word flesh in community. This is a way to experience the quest for knowledge and to do research in a far more accessible and engaging manner than the conventional reading of sacred sources.
CSP 778 --Embodying Story (1) Spiritual Cinema Course SyllabusAn experiential exploration of story as the fundamental basis of Sacred Cinema. Students will work with the material of their own lives to create stories that they will act out through dialogue, sound effects and music. The goal of the class is to help students envision and experience storytelling as a personalized and multidimensional medium of sight, sound and feeling, embodied for the purpose of reaching and affecting others.
CSP TBA -- The Work That Reconnects: Our Life As Gaia (2) Summer WorkshopThe Work That Reconnects helps us uncover and experience our innate connections with one another and with the systemic, self-healing powers in the web of life. In this course we will share our responses to our world in crisis, learn concepts that illumine our interconnectedness, affirm our diverse contributions to the healing of our world and develop concrete strategies for creating a sustainable society.
Ceremony is practiced in community to deepen students experience of the Creator Spirit and to offer an opportunity to build community together and with all other life forms and dimensions of time. Ceremony sensitizes students to the reality of Indigenous mind, which is that nature occurs in cycles. Repetition of ceremonial cycles gives organization and structure to the indigenous life.
Traditional elders and wisdom keepers will be the teachers in this class, exposing the students not only to the content, but also to the ways of thinking, story telling and spiritual experience that make up the consciousness of indigenous peoples. Visits to sacred sites will be a part of the learning experience.
By emphasizing the rich traditions of the moon and the waters whose cycles it regulates, this course will assist in creating a pathway of vision as we restore gender balance and wisdom in our human universe.
Students will become their own graphic producer and see the computer as a useful second self rather than an intimidating technology. The course will use the Microsoft Power Point program, which allows students to produce high quality animated presentations and published communications, such as flyers and newsletters.
Tuition |
$515.00 per credit |
Fees: |
|
Registration |
$100.00 per semester* |
Semester Fee |
$150.00 per semester* |
Graduation Fee |
$100.00 |
*Tuition and fees are subject to change
Options & Payment
Check (Be sure to include your Student ID number in the memo section of your check.)
Third Party Payment (TP)- Contact Nate Johnson, [email protected] or 303-546-3554
office for a Third Party Payment form.
Credit Card-There is a 2.79% fee applied for credit card payment
Financial Aid (FA)-Your Financial Aid Application must be submitted before
registration.
Payment Plan (PP) - Contact Nate Johnson, [email protected] or 303-546-3554
office for a Payment Plan form. There is a $50.00 fee for using the payment plan.
Tuition and $100 registration fee payments should be made payable to Naropa University, and mailed to Naropa University, Student Accounts Department, 2130 Arapahoe Avenue, Boulder, CO 80302, attn: Nate Johnson.
The $150 semester fee and $100 application to graduate fee (if applicable) should be paid to UCS. Make check payable to UCS and submit to Aileen at the Oakland campus, 2141 Broadway, Oakland CA 94612.
For information regarding Financial Aid or any other question contact the Admissions Office at 510.835-4827 Ext. 19 or e-mail at: .
To order the Naropa University Academic Catalogue call (303) 546.3568
Core Faculty:
Apela Colorado, Marlene DeNardo (Co-Chair), Matthew Fox (Co-Chair), Clare Ronzani (Co-Director)
Adjunct Faculty:
Dorsey Blake, Daniel Buford, Charles Burack, Ken Butigan, Drew Dellinger, Kaleo Ching, Drew Dellinger, Andriana Diaz, Aileen Donovan, Lawrence L. Edwards, Mary Ford-Grabowsky, Gina Rose Halpern, Jackie Hairston, Jose Hobday, Shanja Kirstann, Taigen Dan Leighton, Genny Lim, Joanna Macy, Michael Mansfield, Marilyn Marks-Fleming, Jill Martin, Betty McAfee, Rolf Osterberg, John Jerry-Anthony Parente, Russill Paul D'Silva, Kevin Peer, Ana Perez Chisti, Robert Rice, David Sharp, Bruce Silverman, Jeremy Taylor, Luisah Teish, Carol Vaccariello, Gayle E. Watkin
Visiting Faculty:
Carl Anthony, Anita Barrows, Stuart Cowan, Neil Douglas-Klotz, Clarissa Pinkola Estes, Theodore Roszak, Peter Russell, Starhawk, Brian Swimme, Hal Taussig, Margaret Wheatley, Lily Yeh
Julie Anne Anglin, "The Many Faces of Eve, Seeking Truth and Beauty In Balance"
Laura DuBois, "Traveling on Threads of Memory into the Heart of the Web- Sacred Geometry: An Archetypal Language of Relationship"
Dawn M. Defresne , "Sibyl of the Rhine: The Life Story of Hildegard von Bingen"
Robert Fredericks, "Being Wonderfully Together: What Christianity Can Learn From Cosmology and Engaged Buddhism"
Duncan Harte, "The Journey Unfolds: Designing a Certificate Program in Liberal Arts"
Sean Daniel Johnson, "Initiation into Devotional Singing and Teaching: Sound and Music as Spiritual Practice"
Bonnie F. Long, "The Keys to Transformation: Who is Holding the Keys?"
Tracy E. Longacre, "Rwanda in the Aftermath of Genocide" (Photo Exhibit, Slide Show, and Research Paper)
Steven Francis Lyman, "If We Want to Survive, Let's Hold Hands and Weep"
Victoria S. MacDonald, "Video Divina: Film as Sacred Emissary"
Tandra F. McLaughlin, "Searching for Cosmology in the Sacred Forest"
Anne H. Olund, "A Journey with Julian of Norwich- A Photographic and Poetic Path"
Bonney Jeanne Parker, "Keeping Hope Alive: Spirit at Work"
Clarice Redmond, "Telling My Story: The Integration of the Prophet and the Mystic"
Georgette Donatello-Star, "Entering the Circle: A Girl's Rite of Passage"
Benedict Whelan, "The Confluence of Science and Spirituality Through Reason"
Charlotte Gildea, "Awakening: A Personal Journey to Ecological Awareness"
Jane Maxfield, "Reinventing the Wheel: A Collection of Mandalas and Meditations for the Cycles of the Year"
Elizabeth W. Shear, "Learning Large: Youth Work in the Presence of the Sacred"
Stephan H. Snider, Jr., "Oppression in the North Carolina Piedmont: Stories of Family, Community, Race, and Land"
Lyndi Swanson, "Journey to a Living Cosmology: Reclaiming a Connection to the Sacred"