The Naropa Institute - Oakland Campus

Master of Liberal Arts in Creation Spirituality

 

PHOTOGRAPHY AND SOCIAL CHANGE

CSP               708                                Number of Credit Units         1

 

Instructor: Betty McAfee        Instructor’s telephone number: 510/841-6892

 

Class Schedule: Spring 2003 • Tuesday: 1:30-4:30 PM

 

Course Description:

In this course students will discover and develop ways to use the power of photography in their lives, work, and community. The camera will be used as a tool to illuminate social issues in an effort to effect social change.

 

Course Objectives:   

Students will complete a minimum of two photography assignments related to social issues; show their work to the class; participate in a critique of their work in terms of technique and content; explore various options for preserving and presenting their work; participate in discussions about the relevance of photography in their lives, work and community; and be introduced to photographers (both historic and local) who have used their cameras as tools for social change.

 

Course Requirements:  

                        1. Attendance                                       20%

                        2. Photography Assignments                 40%

                        3. Class discussion participation            20%

                        4. Final presentation of work                 20%

 

Recommended readings:

                        One Earth, Day in the Life Series, Eastman Kodak

                        The Power of Photography, Vicki Goldberg

                        The Joy of Photography, Editors, Eastman Kodak

                        The Zen of Seeing, Frederick Franck

                        I Dream A World, Brian Lanker

                        The Struggle Is One, Mev Puleo

                        35 mm Photography, A Kodak Guide

                        An Uncertain Grace, Children, Sebastiao Selgado

                        Tina Mendotti: Photographs, Sarah Lowe

                        Photographs of a Lifetime, Dorothea Lange

                        IPhoto, the Missing Manual, Pogue,Schorr,Story

 

Outline: Calendar of weekly themes, activities and assignments

February 11     INTRODUCTION TO THE COURSE AND EACH OTHER

•Who Are We? What Justice Issues Are We Concerned About?

•Some exercises

•Preparation for Field Trip

 

February 18     FIELD TRIP

•A Photography Scavenger Hunt in Downtown Oakland

 

February 25     VIEWING  FIELD TRIP PHOTOGRAPHS

Organizing,viewing and critiquing of photographs

•Preparation for In-Depth Field Trip

 

March 4           IN-DEPTH FIELD TRIP

•Discussion of ethical questions in social justice photography

•In-depth photography of selected subject

 

March 11         VIEWING IN-DEPTH FIELD TRIP PHOTOGRAPHS

•Organizing, viewing and critiquing of photographs

•Discussion of implications for justice-making

 

March 18         NO CLASS (INTENSIVES)

March 24         STUDY WEEK

 

April 1              EVEN FURTHER IN-DEPTH FIELD TRIP

 

April 15            VIEWING FIELD TRIP PHOTOGRAPHS

•Organizing, viewing and critiquing of photographs

 

April 22            WAYS TO PRESENT PHOTOGRAPHY TO EFFECT SOCIAL CHANGE

•Videos, framing, storyboards, albums, slide presentations

•The What? Why? When? of Digital Imaging

 

April 29            CREATING PRESENTATIONS for the UCS Community

 

Within the semester there will be assignments to go to the Oakland Art Museum to see a Photography Exhibit by Rondal Partridge, to view Betty McAfee’s video “Waking Up” (as an example of telling our stories as a political act), to attend local movies that are change agents (e.g. “Bowling For Columbine”), etc.